François Boucher: Pan and Syrinx, 1743.
François Boucher (1703–1770): The Secret Message.
Jupiter and Callisto, attributed to Karel Philips Spierincks, who was active in Rome between 1609 and 1639.
Federico Barocci: Portrait of a Young Man, 1580–90.
Giorgio Ghisi: Venus and Adonis, c. 1570.
Giambattista Tiepolo: Saint Cecilia, 1750–60.
Domenico Fetti: Sleeping Girl, 1620–22.
Oralia Domínguez “Mon coeur s’ouvre a ta voix” dall’Ópera “Samson et Dalila” di C.Saint-Saëns dall’Album “Grandes voces de la Ópera en México Vol. lV”
“Mon coeur s’ouvre a ta voix” Aria di Dalila dall’Ópera “Samson et Dalila” di Camille Saint-Saëns.
Oralia Domínguez Mezzosoprano
Jon Vickers Tenor
Orquesta y Coro del Palacio de Bellas Artes.
Saint-Saëns began working on Samson and Delilah in 1867, just two years after completing his first (and as then yet unperformed) opera, Le timbre d'argent. The first performance took place in Weimar at the Grossherzogliches Theater (now the Staatskapelle Weimar) on December 2, 1877, in a German translation.
Camille Saint-Saëns: «Le rossignol et la rose»
Rita Streich, Radio-Symphonie-Orchester Berlin. Kurt Gaebel
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